NAB 2012: Digital Vision will show Nucoda ACES workflow and software enhancements at the annual US trade show. ACES delivers a single post-production workflow that keeps production assets at their ...

Cinematographer Steven Poster, ASC, and director Dean Hargrove tapped into the features and functions of the Cinema EOS C500 and the complete line of Canon's Cinema Zoom and Cinema Prime lenses to ...

Digital Film Central (Central), the Vancouver-based post facility for Neill Blomkamp’s new film Elysium, created a 3.3K colour and conform workflow, that integrated both editorial and VFX. The ...

RedShark Review: Ned Soltz takes Denver Riddle’s ACES-compatible $149 Color Finale Pro for a spin and is impressed with what he finds. Let’s face it—digital content producers live in wonderful ...

Avid® today announced Media Composer®, its flagship video editing system, has been redesigned and reimagined for today’s—and tomorrow’s—generation of media makers. Unveiled at Connect 2019, the ...

The first in a series providing insight into the current broadcast environment, created in partnership by Broadcast and FilmLight A lot has happened in the post-production environment in recent years.